cinematic crafts
For every scope and scale, every genre and medium…
screenwriting
MFA Creative Writing, Goddard College ‘15
I specialize in historical drama and character-based dramedy with minority protagonists and strong queer representation.
I enjoy script analysis and script doctoring. I can provide notes or coverage, spearhead an adaptation, guide you through a redraft, or doctor an existing work. And, of course, you can purchase or option my existing screenplays.
Produced Works:
GLORIA, Short Film, 2018
St. Esther Day, Short Film, 2018
Erzulie, Feature Film, 2022
The Cut, Short Film, 2022
In Production:
Man Eater, Romantic Comedy, Optioned by 3one8 Films
Award Winning Screenplays:
The Wickedest Woman in New York, Feature Length Historical Drama, 2023
ART & production design
I create worlds rich in detail that allow for maximum visual storytelling, whether time and budget are limited or the sky’s the limit.
GLORIA, Short, 2018
St. Esther Day, Short, 2019
How Do I Tell You This, Short, 2021
Erzulie, Feature, 2022
Peeping Todd, Short, 2022
The Blind, Feature, 2023, Set Dresser
Caught on Tape, Short, 2023
Pink Suit / Black Suit, Short, 2023
Criterion, Short, 2023
Raymar, TV Pilot, 2023, Asst. Props Master
The Fetch, Feature, 2024 (Post-Production,) Set Decorator
Portal In The Pines, Feature, 2024 (Post-Production)
The Threesome, Feature, 2024 (Post-Production) Asst. Props Master
Costume design
Costume equals character. Every time! My background in cosmetology and traditional art allows me to dress characters from head to toe with a heavy emphasis on color theory and historical research for a level of authenticity that brings value to every production. Seeing is believing!
GLORIA, Short, 2018
St. Esther Day, Short, 2019
How Do I Tell You This, Short, 2022
Erzulie, Feature, 2022
Peeping Todd, Short, 2022
Room 203, Feature, 2022
The Cut, Short, 2022
Cabin Girl, Feature, 2023
Pink Suit / Black Suit, Short, 2023
Pink Suit / Black Suit, Short, 2023